It’s been 18 months since my last editorial assignment. This is way too long but we have been so busy with commercial assignments there has not been room to take on Editorial work.
My photographic assignment work should be a better balance of Advertising and Editorial…With editorial there’s a complete liberty to push boundaries, explore and try different things that opens my expression into new avenues.
In advertising, agencies look at the work I have done and see something in it they want to apply to their ideas and concepts. In many ways this is repeating myself, recreating something for the purpose of the ad. To look and push forward creatively one have to do personal work, and the editorial platform is a great outlet for this personal creative push.
With openings in the schedule I got really excited when Genlux Magazine called and asked if I wanted to shoot their upcoming cover story of Grammy winning trumpetist Chris Botti. Genlux Magazine’s Creative director Stephen Kamifuji is quite hands off in his approach and usually provide you with a theme or an overarching idea of what he wants the images to say or express.
We talked wind and sound and the air that flows through the trumpet.
How could we depict this idea of Chris harnessing the wind in a conceptual manner?
Among the ideas was Chris being on a raft with him creating the wind for the sails.
In the end this felt a bit literal and expected and I was more intrigued by the idea of him floating on air.
A dreamscape where the air inspire; Where he is in and of the wind, harnessing it’s power and floating within it…
As this idea matured I started thinking about context and how we would fill 7 pages. How would Chris Botti get there? What was the connection between him and the flying machine?
A storyline emerged of him being in a personal library and the floating on air scene being more of his subconscious or space of inspiration, then taking him onto stage to perform what the air inspired.
With this very cinematic storyline it felt more like a film than a still story and I decided to go all in, creating not only the still visuals but a small film as well.
I have written about my thoughts on the still and motion disciplines becoming one in the world of commercial assignments so this was another great chance for me to create visuals across the 2 mediums.
In this I feel the 2 executions, both in the creating, execution and post all came together to create a seamless visual blend of still and film.
In creating this I’m in gratitude to Chris Botti for his gracious attitude and generousity of time. His manager Bobby Colombi for letting us extend the concept to include Chris floating in the air and ofcourse Stephen Kamifuji, creative director of Genlux.
An editorial budget does not cover much of anything so I’m also grateful to the crew, all wearing several hats, pulling together a shoot which should have had 3 times as many people helping out.
Also a big thanks to my friend and world class DP Ketil Dietrichson for a true collaboration of cameras.
I’m truly excited about the result so please check it out. There’s the film, stills and a behind the scenes look at the execution.
The Behinds the Scenes from our shoot day in Los Angeles
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